Мстители - 2: Эра Альтрона

[Pusha_s]

@темы: Журналы, Джереми Реннер, Агент Клинт "Хоукай" Бартон, Мстители: Эра Альтрона/Avengers: Age of Ultron

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Убить гонца

[Pusha_s]

честно? скучно. если фильм получит какую-нить номинацию на Оскара - не удивлюсь.Он по-Оскаровски скучен.

Немного скринов. Качество так себе, но разглядеть кое-что можно.

СМОТРЕТЬ

@темы: Капсы, Джереми Реннер, Убить гонца/Kill the Messenger

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Мстители 2: Эра Альтрона

[Pusha_s]

>

@темы: Джереми Реннер, Агент Клинт "Хоукай" Бартон, Трейлеры, Мстители: Эра Альтрона/Avengers: Age of Ultron, Видео

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Золотой глобус. 11 января 2015

[Pusha_s]

Джереми был одним из ведущих.

Взяла только приличного качества, а так фоток полно. выглядит хорошо, кроме того момента, когда его "фрекен Бок" фотографируется с ним на красной дорожке (эти не брала, они с логотипами). там у него выражение лица...



+ смотреть фото

СМОТРЕТЬ

+ еще

ох, что-то он такое вещает...

СМОТРЕТЬ

Photo by Stefanie Keenan/Getty Images for InStyle

запись создана: 12.01.2015 в 17:52

@темы: Public Appearances, Джереми Реннер, Реннер и женщины :), Видео, Фото

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и еще Джереми

[Pusha_s]

8.01.15. сразу_после_день_рожденец. Вот и гадай: хорошо отпраздновал аль плохо?
В любом случае - ОСТОРОЖНО! содержит изображение сигареты, что может пагубно отразиться на вашей неокрепшей психике и подорвать здоровье.

СМОТРЕТЬ?

@темы: Джереми Реннер, Jeremy out and about, Фото

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Джереми

[Pusha_s]

и сам свежезаловленный компактный герой

@темы: Джереми Реннер, Jeremy out and about, Фото

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Хоукай

[Pusha_s]

костюмчик. “Samsung night with Marvel” event.

а я б такую фигурку у входной двери поставила. Приветствовал бы входящих.

@темы: Джереми Реннер, Агент Клинт "Хоукай" Бартон, Мстители: Эра Альтрона/Avengers: Age of Ultron

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дела давно минувших дней

[Pusha_s]

Blast from the past. Do you remember this?
вопрошает Kristi Pasternak у Джереми Реннера.

под кат нервным не смотреть

ТОЧНО?

@темы: Джереми Реннер, Фото

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от Джереми

[Pusha_s]

From 4 to 44 yrs. I am blessed to have made it this far. THANK YOU ALL FOR THE WELL WISHES!

@темы: Джереми Реннер, Фото

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С ДНЕМ РОЖДЕНИЯ!!!

[Pusha_s]

+ пикспам

СМОТРЕТЬ

@темы: Джереми Реннер, Фото

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еще с Авой

[Pusha_s]

походу, это няня

@темы: Джереми Реннер, Jeremy out and about, Реннер и женщины :), Фото

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[_nastya_]

Джереми наводит саспенс.
Доснимают что-то для Эры Альтрона, или это для агентов ЩИТа?

Tues morn. I find myself in costume again. I just can't tell you why. And it still fits! #marvel #avengers #hawkeye

@темы: Джереми Реннер, Агент Клинт "Хоукай" Бартон, Фото

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Джереми и Ава

[Pusha_s]

It’s very early to call, but going on the record to predict the highlight of my year 2015!!! Just sayin… #restiscake

@темы: Джереми Реннер, Jeremy out and about, Фото

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тумбочка между кроватями

[Pusha_s]

о как!

Must have been the 10-month itch?

After secretly tying the knot earlier this year, it sounds like Jeremy Renner and Sonni Pacheco will not have the most peaceful breakup. The Canadian model has filed for divorce from the 43-year-old Avengers star and it doesn't sound like it's amicable.

Court papers obtained by People and E! show that Pacheco has demanded the Oscar-nominated actor "immediately return [her] stolen passport, birth certificate, social security card." She cited irreconcilable differences as the reason for the split, but also requested their prenuptial agreement should be voided because it's based on "fraud."

Related: Celeb Breakups of 2014

Renner and Pacheco got married on Jan. 13, 2014, and the date of separation is listed as Nov. 29, 2014. They have one daughter, Ava Berlin, who will turn 2 in March. Sonni has asked for joint legal custody of their daughter but wishes to be granted physical custody. She is also seeking spousal support, use of their Range Rover, and for Renner to pay her moving expenses and rent.

Jeremy and Sonni's relationship was mysterious right from the start. At the 2013 Golden Globe Awards, Us Weekly overheard the actor telling Eva Longoria he was going to be a dad. The magazine reported that the expectant ex-girlfriend he briefly dated was living in his L.A. home. Sonni Pacheco was later identified as the mother-to-be.

Around the same time, Jeremy emphatically denied rumors that he was gay, telling The Hollywood Reporter, "I want my personal life to be personal, and it's not f--king true."

The actor then kept his marriage a secret for months, but during an interview with Capitol File in September, he let the news slip.

"I have tried to protect my family's privacy, my wife's privacy. I don't need her to get hammered with my life. Privacy issues are important because I want her to go about her day without being bothered," Renner said. The interviewer then asked if by "wife" that meant he was married. Renner replied, "Yes."

A rep for Renner has yet to comment on the divorce news; however, a source tells E! News it was not a surprise.

"This has been on the cards for a while. They are just not compatible," a source alleged. "This is going to get ugly. His main priority is the baby and he will fight for full custody if it comes to that. All he cares about is being a dad. He is an amazing father. He is worried she is going to go back to Canada and take the baby."

According to E!'s insider, Renner regretted getting hitched in the first place, but did it for his daughter.

"Jeremy wanted out of the marriage almost as soon as he got into it. He wanted to make sure Ava had a solid family unit and tried to make it work," the source continued. "It's really sad because Jeremy loves Ava so much and hates that she will live her life with her parents split up."

Perhaps the writing was always on the wall. In November 2013, Jeremy told Elle he may not be into marriage.

"It's not necessarily something I often think about. It's a whole other conversation," he said. "Don't forget how the institution of marriage came about."
отсюда


а вообще, об этом не пишет только ленивый.

@темы: Джереми Реннер, Jeremy out and about, Реннер и женщины :)

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В плане прикола

[Andrew_Clean]

Что вы не знали о Джереми Реннере...


Отсюда

Впрочем, если посмотреть на первую книгу цикла, окажется, что главный герой был больше похож на Брэда Питта.

@темы: Джереми Реннер, Охотники на ведьм/Hansel and Gretel: Witch Hunters

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Джереми

[Pusha_s]

шут от Lorenzo Agius



и к "Городу воров"

@темы: Джереми Реннер, Photoshoots, Город воров/The Town, Фото

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Джереми. "Push" 1997 год

[Pusha_s]

всплывают малоизвестные факты.
В двух словах: выгнали на третий день съемок, потому что "выглядел слишком молодо. А он был так талантлив, так талантлив, так прекрасен. Наш отказ должен был разбить его юное сердце!"
Вся статья (полная хвалебных отзывов): переводите, у кого есть желание.

May 15, 2014 – A few months ago, a friend brought my attention to an article that appeared in 2012 in American Airlines’ magazine, American Way. It was a profile of a two-time Academy Award-nominated actor whose career was (and still is) nothing short of red hot. In the article, this actor mentioned a pilot in which he’d been cast early in his career, way back in 1997, explaining that he’d been fired on the third day of shooting because “…the producers decided he looked too young for the part…”

A little background: before Push was an acclaimed “novel by Sapphire” and the basis for the film Precious, before it was a 2009 movie starring Dakota Fanning, it was a short-lived, execrable TV series on ABC. I can report this with confidence, being its creator and show runner. I had developed the pilot with some very colorful Brits who were having their Fifteen Minutes with American television, not unlike the leads of Showtime’s brilliant Episodes. My wacky colleagues from across the pond brought me a concept for a sexy, soapy series about college-age Olympic athletes juggling their fierce competitive natures and the rigors of training with the day-to-day realities of university life, studies, love, sex, relationships, and all the difficult challenges already built into that transitional period from teen to young adult. I’ve never cared much for sports, and was surprised that the idea had been presented to me of all people, but as I began to read some biographical material about these young champions, I became fascinated with their psychological makeup, and saw the potential for a great series that would explore real characters and competition, both in and out of their chosen athletic disciplines. The sсript was well received by ABC and subsequently ordered to pilot with Ken Olin hired to direct. Thus began one of the longest and most painful ordeals of my career. The ensuing months of writing, shooting, and ultimately getting the series on the air the following year is rich fodder for a whole chapter in my memoirs―if not a full scale tell-all book of its own. So I’ll save the bulk of the lurid details for one of those, and get to the gritty.

Victor Yates was the anchor of the show’s ensemble cast. He was a talented gymnast whose career had been cut short by an injury sustained while competing on the high bar during the then recent 1996 Atlanta Olympics. In the pilot, he’d been hired to coach the male and female gymnastics teams at a fictional prestigious sports-oriented college in Southern California (it was a TV show, after all, not a documentary). The entire point of his character was that he was only a year or two older than the athletes he’d be coaching, and casting the role proved nearly impossible. We needed not only a good actor, but one with a body who could pass for a former gymnast, and quickly learned the truth of our casting director’s words: “God does not give with both hands.” After a seemingly endless parade of gorgeous but wooden young men, an actor finally walked in who proved the exception to those words. He nailed the audition, aced the test for the network and studio, and was whisked into hair and makeup.


I want to go on record as saying I was really proud of the sсript for that pilot. And I was equally excited about the cast of mostly unknowns we assembled to play the swimmers and runners and gymnasts and divers. More importantly, I saw so much story potential which could easily fuel the journey to the coveted 100 episodes. And we had a lead who wasn’t just good, he was perfect for the part. Production began in March, 1997, and the second or third day of filming―the most expensive on the entire shoot because we were recreating the men’s gymnastics competition from the recent Olympics―I received a very disturbing call on my shoe-sized mobile phone. It was from one of the network development executives overseeing the pilot. I exited the huge pyramid shaped arena at the school in Long Beach where we were shooting, pushed through the hundreds of extras playing other athletes, coaches, judges, and, of course, the sold-out crowd, until I was finally outside where I could actually hear what was being said on the other end. Flabbergasted is as good a word as any to describe my reaction. Fury is another.

“Well, we’ve been watching all the dailies and I have good news and bad news. Which would you like first?” “The good, I guess,” I answered, apprehensively. “Okay, the good is that the show looks terrific. Ken’s doing an amazing job, and for the most part, the cast is fantastic.” “For the most part…?” “Yeah,” she replied quite casually, “we need to recast Victor.”

Now, never mind that “Victor” was the star of that day’s shoot where we were spending thousands upon thousands of dollars to film a flashback to his tragic accident at the Olympics. Our actor’s scene work in the previous days’ dailies had been spot on. He looked amazing in his gymnast uniform. He was not only handsome, he was a damn good actor to boot. I repeat, he was perfect for the part. Naturally, I protested and told the development exec that she had lost her mind. What could the network possibly find wrong with him? The answer was stunning: “He looks too young. In some cases, younger than the other athletes he’s supposed to be coaching.” “But that’s the whole point!” I argued futilely. “He should be their age. That’s his central conflict!” It was almost as if no one at the network or studio had actually read the sсript they’d bought, so I fought against this harebrained decision. I argued. I refused. I caved.

To make an already long story short-ish, I couldn’t fire him myself. Ken rose to that unpleasant task. An actor himself, he knew how to communicate the bad news to a fellow thespian and so he did most of the talking when we called our shining young Olympian into the producers’ trailer at lunch time. Me? I’m not ashamed to admit that I stood in the corner and quietly wept as we were forced to crush the soul of this talented young man. To his credit, he handled it with incredible dignity and maturity, and in his grace, won my lifelong admiration.

We scrambled to cobble together the rest of that day’s shoot, then had more frantic casting sessions over the weekend, ultimately finding a replacement that seemed to please the “suits.” The pilot had its problems as most do―and I certainly don’t fault the actor we cast as our lead―but I was more or less pleased with the result, all things considered. Of course, after those months of off screen drama, ABC didn’t pick up the show for the fall season, but once the dust had settled, I got the call that they wanted to retool and reshoot the pilot as a midseason replacement series. I was forced to recast most of the male roles―again, over my most passionate objections―and add a “vixen” character to slink around the women’s gym and stir up some soapy trouble (I have to admit, Jaime Pressly nailed it). By the time the show premiered, I had been fired for “being too difficult” (translation: I fought the network every step of the way trying to make a good show all the while they were screaming in my face that they didn’t care about character development or rich storytelling, they just wanted “Sex! Sex! Sex!” [actual quote] and “Melrose Place in Spandex!” [ditto]). Push was viciously skewered by the critics: “Like many a locker room, this show often stinks,” “Perhaps the more fitting title Putrid was already taken,” and the most succinct, “Laughably bad.” It’s premiere set a record Nielsen low in its time slot in the history of ABC, and my disastrous little show was mercifully cancelled after only two episodes aired. That summer, they decided to burn off the 8 episodes that had been produced, but when its re-premiere repeated its rating performance from the first time around, the show was abruptly yanked from the schedule. I’m now fond of telling people I created a show that was so bad it was actually cancelled twice.

But back to our original Victor. Over the years, I’ve followed that young actor’s career, and swelled with an almost paternal pride tinged with pure vindication when he got the first of his two Oscar nominations. I’ve always believed that the show would have been an entirely different experience had we kept him in the lead. And now, should his people Google his name from time to time to see what the masses are saying about him, I hope they’ll find this blog post and tell him that it most certainly wasn’t the producers who fired him from that pilot. Far from it. It was the network. This producer was―and still is―a huge fan of an actor named…



…Jeremy Renner. Though I’ll admit, getting fired from that pilot may have been the best thing that ever happened to him. Stay tuned…


отсюда

ну и фото. Запаситесь тазиком валерьянки

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@темы: Джереми Реннер, Ссылки, Статьи, Фото

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Джереми и Алек Болдуин

[Pusha_s]

Pinewood Studios




iamabfalecbaldwin

@темы: Джереми Реннер, Jeremy out and about, Фото

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от Джереми

[Pusha_s]

@темы: Джереми Реннер, Jeremy out and about, Фото

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MI 5

[Pusha_s]

Должна сказать - шикарно выглядит!

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@темы: Джереми Реннер, Фото